to view the competition entry boards in their entirety, follow the link below to the last few posts in this discussion thread:
skyscraper city
special thanks to escott for sending this in
photography by Ana Lorena Ochoa"Mexican legend recounted that every bridge being built the devil would ask for one soul, so that the bridge never falls. This film tells the story of the workers who are participating to the construction of a second deck to Mexico City's inner Periferico freeway. This second deck is about to transform the city, its landscape and the lives of its inhabitants. It is the story of those whose hands and sweat go into the making of this mammoth work of concrete, steel and asphalt. The workers' daily lives, their hopes, their dreams and their dignity for survival. Contrasts, emotions and small moments that shall culminate in the loss of a soul taken by the devil. A soul that will remain as a memory of the workers who built the second deck."



source: denver post"The proposal had to present an up-dated and accurate image that represented the actual spirit of the present times, but taking into consideration the usual economics of resources and the most suitable materials. It also had to signify the lowest physical investment possible. Furthermore, the project needed to include issues such as an ecological conscience, as well as respect for the landscape and the environment."




second mention
third mention
fourth mention
fifth mention
sixth mention
seventh mention
eighth mention
for january-march 2007, the agency has selected san isidro: loft buildings in lima, peru as the next private competition initiated by the real estate company arquia. the arquitectum site has an extensive brief about the competition and the city of lima on their flash site.




"the murano"-14th & lawrence
residential & retail
50 stories
$160 million
completed 2008
architect: solomon cordwell buenz and associates
"El Jebel Tower"-18th & sherman
hotel & retail
60 stories
cost unknown
completed 2009
architect: tryba architects
"The Spire"-14th & champa
residential, retail & parking
40 stories
$110 million
completed 2009arhcitect: rnl design
"one lincoln park"-20th & lincoln
residential, retail & parking
30 stories
cost unknown
completed 2008architect: byg

"1800 larimer"-18th & larimer
office
20 stories
$150 million
completed 2009
arhcitect: rnl design

"four seasons" private residences-14th & arapahoe
hotel, residential, retail, & parking
50 stories
$135 million
completed 2009
architect: carney architects

"...many different beams of 12-cm wavelength microwaves would deliver power to receivers at sites located worldwide. Each receiver would supply commercial power to a given region. Such a receiver, called a rectenna, would consist of a large field of small rectifying antennas. A beam with a maximum intensity of less than 20% of noontime sunlight would deliver about 200 W to its local electric grid for every square meter of rectenna area. [italics added] Unlike sunlight, microwaves pass through rain, clouds, dust, and smoke. In both scenarios, power can be supplied to the rectenna at night."


a closer look on the east side, along Delgany street
the view below
looking alongside 15th st.
the future entrance ramp location
also-from the MCA website about the new building:
OUR NEW HOME
The New MCA, designed by David Adjaye, one of the leading architects in the world today, is at once bold and refined, meeting all the criteria set forth when a permanent home for MCA was first envisioned:
- A DESIGN THAT SUPPORTS RATHER THAN DEFINES THE MUSEUM'S MISSION. The design clearly articulates the Museum's exhibition and program requirements.
- A FISCALLY RESPONSIBLE PROJECT. The construction cost for the new building is $11.3 million making the project $418 per square foot.
- AN ENVIRONMENTALLY-EFFICIENT BUILDING. MCA is actively pursuing LEED certification, which would make MCA the first contemporary art museum in the country to achieve such status.
the wesite claims to be constructing a museum at a [fiscally responsible] $418/sf, but looking at the renderings show bare concrete walls and glass. one has to imagine that means the glass is a dual-skin, and the concrete finish will be like butta.
interior renderings:

some more links regarding MCA, adjaye, and other things english:



runner up: sean godsell
best new music [album]:
the eraser. thom yorke
runner up: at war with the mystics. the flaming lips
best music [live]:
nine inch nails. red rocks amphitheater. may 31


runner up:
best architectural additions to denver:
highland pedestrian bridge over i-25
photo by denverinfill.com
runners up: light rail expansion; hyatt convention center hotel; denver art museum expansion
Scheherazade by EuanUglow"...we treat people as objects, and objects as people."- excerpt from the book Haunted by chuck palahniuk
“Let an ultraintelligent machine be defined as a machine that can far surpass all the intellectual activities of any man however clever. Since the design of machines is one of these intellectual activities, an ultraintelligent machine could design even better machines; there would then unquestionably be an ’intelligence explosion,’ and the intelligence of man would be left far behind. Thus the first ultraintelligent machine is the last invention that man need ever make.”
can we apply this outlook to our built environment? what kind of structures could exist beyond the event of technological singularity? can they even be labelled as "buildings" after that? and does anyone really give a F?
in the mean time head over to the flckr pool which highlights photos taken of architectural models. then appreciate the craftmanship of the humans that made them, and be glad you haven't been replaced by a machine...yet. luckily, architects still practice in the weirder realm of objectifying ideas as buildings.

steven holl's newest addition to the nelson-atkins museum in kansas city, has been lit up for the holidays and causing traffic jams by gawking motorists. an article at the NYT goes deeper into holl's design intent, and his recent false starts with high profile projects including the denver courthouse, cornell school of architecture, the "turbulence house" and of course the controversial MIT dorm. but amidst all the criticism, holl remains ever optimistic and intensely devoted to his approach to ideas with the new addition:“It’s not an object, “ Mr. Holl said. “You can’t compare it to anything like Bilbao or all the generations of Bilbao’s. The only way to see it is to move through it.”

