Wednesday, July 20, 2011

Kent Denver: First LEED Platinum Dining Hall in the USA

*note: this blog space is typically reserved for my own personal ramblings on architecture, construction & craft, but since this is a uniquely momentous occasion, I am allowing the line to blur a bit.

view from the west terrace [photo by carol mackay]

my employer, Semple Brown Design, P.C. just received word yesterday that a project I worked on [and administered the documentation] has been officially certified with a LEED "Platinum" rating. for those not familiar, that is one of the highest [and coveted] awards to be given to a building for its efforts towards sustainability. granted, LEED has been scrutinized lately for some of its shortcomings, but that being said: no system is perfect. in pursuit of mass awareness towards sustainability, few systems have made the strides that LEED has, and it should be credited for that. we'll save the "lessons learned" for a future post...

the old dining hall [south]


the old dining hall [southwest]


onto the project of discussion--Kent Denver School Dining Hall: Extension & Renovation was borne out of a desperate need for more adequate kitchen and dining space. the existing building had a meager 800 SF to serve over 700 people on a daily basis during 3 separate lunch periods with no more than 2 ovens and a large 4-burner stove [sounds impossible, but true]. not only were the diners cramped for space, the stretched lunch schedule governed the entire academic schedule of the campus. if a campus event required additional time, it was often hamstrung by the lunch scheduling. the old dining hall was becoming a confining entity, not contributing to campus life.

when the decision was made to pursue LEED certification, there were 3 major priorities: salvage as much of the existing building as possible, incorporate the dining hall's cycle of food culture into the campus, and reduce energy consumption. instead of taking away from the campus schedule and the community's infrastructure, it would reverse the trend and give back.

the completed extension & renovation [southwest]

as it turned out, 80% of the existing 1966 brick structure was salvaged to serve as a the re-configured kitchen area-- effectively tripling the functional area and capability of the old kitchen. an additional 12,000 SF was attached to the west side to expand the capacity of students during lunch to 450 [max], reducing the number of lunch periods down to 2. every effort was made to reduce water consumption, resulting in almost 50% water savings over baseline through water efficient landscaping and toilet fixtures. to achieve the Platinum level energy savings, the building envelope and mechanical systems were carefully considered, as well as a supplementary 27KW solar photovoltaic panel rooftop array. the final energy savings from baseline ended up at 42% over baseline, with the PVs contributing to 13% of that savings.

some more facts: exemplary performance was awarded for the installation of recycled and regional materials, with comparative to total materials costs of 33% and 31% respectively. for all the wood products used, 80% came from responsible FSC certified forests. and impressively, a total of 85 % of the construction waste from the entire project was diverted from the landfill, equalling 1,125.5 tons [2,251,000 pounds]. the building is possibly one of more cost effective "green" commercial use structures, coming in at $193 per square foot.


view of the salad bar and "living wall" beyond [photo by carol mackay]

along with the goal of being "green", the menu was completely re-vamped to promote healthier food options by placing a double line salad bar within direct line of sight from the main entry doors. just beyond the salad bar, another visual indication of the project's sustainable aspirations can be seen in a vertical "living wall", which is not host to decorative plants, but also to edible herbs such as basil and rosemary which the cooks use as ingredients on many occasions.

view of the serving lines


the living wall

to me, the most intriguing portion of the project is not the building, but the site features. a 100-count fruit tree orchard was planted to the west of the addition, which allows for outdoor classroom opportunities and the hopes to include the harvested produce into the meals. with the help of the students' beekeeping club, cross pollination of apple, apricot, plum and cherry trees will ensure that the trees have a better chance of yielding fruit in Denver's dry, high plains climate. on the opposite end of the cycle, the campus already practices a rigorous composting program, of which the dining hall is the main contributor and actually reduces what is considered "trash" to only 10% by relative weight ratio.

a bonus of the site was the advantage of spectacular westward views of the Colorado front range and rocky mountains beyond.


westward view [prior to construction]

all in all it was a very enlightening experience for this author, and definitely not easy in the least. time will ultimately reveal to us what approaches were successful and what aspects of the project required more evaluation. we can honestly say that the main goal, while definitely a perk, did not involve ideas of making something iconic or allow bragging rights of a trophy building. alternately, it is meant to be a statement of commitment towards learning about what "sustainability" means to the campus and to the community at large [culturally and economically]. it is by no means the only answer or a perfect answer to questions on the subject, but like any other educational endeavor it hopes to offer the knowledge base when discovering the future of our modern heritage.


sunset on the terrace

postscript--it took all the players: architects, owner, contractor, engineers, & builders to deliver such a work, so congratulations to everyone involved!

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Thursday, June 09, 2011

still museum: meet the architect


in my inbox today:

Client to Architect:

A Conversation between

Dean Sobel and Brad Cloepfil

July 7, 2011, 7pm

Join Brad Cloepfil - the architect of the Clyfford Still Museum - and Director Dean Sobel for a discussion about the project and the new publication, Occupation: Brad Cloepfil, Allied Works Architecture. A reception and book signing at MAD Wine Bar will follow. Books will be available for purchase.

Discussion: Denver Art Museum - Sharp Auditorium

(Hamilton Building - Lower Level)

Parking at the Cultural Center Garage

Reception and Signing: MAD Wine Bar

(1200 Acoma Street - across from Hamilton Building)

Free Event. Cash Bar.

Wednesday, May 25, 2011

literary excerpt

House-Schuyler VA [wg clark architects]

an excerpt from WG Clark's essay "Replacement", published in the monograph Clark and Menefee:

"...I cannot convince myself that settlement, even the most thoughtful, the most beautiful, is better than wilderness. Even the [grain] mill is not better than no mill; but the mill is necessary for our existence, and therefore worthwhile. It is an image that keeps returning, proof that the use of the Earth need not be destructive, and that the architecture can be the ameliorative act by which, in thoughtfulness and carefulness, we counter the destructive effect of construction. Nothing else is architecture; all the rest is merely building.

The American landscape is being sacrificed to building. The result is dismal, adding up to nothing satisfactory or even significant except as an accurate self-portrait of our culture and ethical dissolution. This is an observation neither rare nor subtle. The condition is one that we all see and feel daily, one that we abhor yet perpetuate, a senseless spread of profit-motivated building that has none of the good characteristics of settlement, and looks remarkably more like a midway, uprooted and designed to be put up anywhere. The comparison becomes more apt with the realization that most of the things built are unnecessary..."



Friday, May 20, 2011

clyfford still museum progress



panorama view from the south

it was announced recently that the new allied works designed clyfford still museum will open its doors to the public on November 18th, 2011. the new facility will house over 90% of the artist's career body of work for display, including paintings, prints, sketches, and the only 3 sculptures ever created by still.

the building recently had the concrete forms removed from the massive exterior walls to reveal a highly textured surface of vertically oriented striations. this same texture will supposedly be carried out through the entire structure, even on the interior walls and ceilings at the main level.


view from the northwest
rendered animation of the completed design by allied works architecture

the interior gallery spaces shown in the animation give us a good idea at the sophisticated ceiling scrim that will filter daylight to the upper level galleries. the allied works museum project page has grown exponentially in the past few months, with depictions of gallery sections, program diagrams, renderings, and other construction images.

we will keep watching this development with great interest...

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Monday, May 16, 2011

studio 804: Center of Design Research



historic photo of chamney dairy farm [studio 804]

dan rockhill & his jayhawks in lawrence, ks are quickly making their new design-build project come to life. foregoing the usual modular house as in past years, the new center for design research is a step up in scope, complexity and sustainability goals:

The new Center for Design Research building, located on the historic Chamney Dairy Farm in Lawrence, Kansas, is a response to the emerging culture and support of sustainability at the University of Kansas. In congruence with the center's mission, which is to provide a location for interdisciplinary work between multiple schools, the new building will provide a facility that aids in the education of the university and community on sustainable strategies, material innovation and building efficiency.

The design for the new building implements sustainable strategies to maximize the potential of existing resources, minimize environmental degradation, create an environment that is safe, comfortable and efficient and provide an iconic representation of sustainability for the University of Kansas. Through the implementation and expression of sustainable systems, the building will provide a space for professional collaboration and community education while displaying a wide range of sustainable strategies. In doing so, it will showcase the advances of green building technologies and products, serving as a standard for the future development of the University and CDR.


existing site [studio 804]


studio 804 intend to reach the same ambitious goal as their last couple projects with a passive house certification. this includes an airtight exterior building envelope, super-insulated walls, roof and floor slab as well as a 90% energy savings [from baseline] by harnessing the southern sun for most of the facility's heat. this strategy is aided by triple paned insulated glass and sunshades and/or deep overhangs to avoid overheating in the summer months. natural ventilation is carefully calculated into the design along with an heat exchanging mechanical system to limit the need for pre-conditioned air.


limestone wall mock-up [studio 804]


a handsome rendering gives us a glimpse of the finished facility, complete with living roof, south facing courtyard, large expanses of glass and stacked limestone cladding. follow the gang's weekly construction progress here. we look forward to seeing more of this great work.


exterior rendering [studio 804]


week 12 construction photo [studio 804]


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Friday, February 25, 2011

ghost lab 13: summer conference


foregoing the usual design-build workshop this year, brian mackay-lyons plans to replace this year's project with a huge gathering of the minds. a 4-day seminar packed full of lectures, discussions and ideas about architecture & material culture, this year's visit to the ghost laboratory promises to be an extraordinary event. below is the list of guests participating in the "resistance movement" of architecture:


Keynote Speakers

Kenneth Frampton, New York

Juhani Pallasmaa, Finland


Speakers

Deborah Berke, New York

Marlon Blackwell, Arkansas

Wendell Burnette, Arizona

Ted Flato, San Antonio

Andrew Freear, Alabama

Vincent James, Minnesota

Rick Joy, Arizona

Francis Kéré, Berlin and Burkina Faso

Richard Kroeker, Nova Scotia

Tom Kundig, Seattle

Brian MacKay-Lyons, Nova Scotia

Patricia Patkau, Vancouver

Dan Rockhill, Kansas

Brigitte Shim, Toronto

Peter Stutchbury, Sydney


Critics

Peter Buchanan, London

Tom Fisher, Minnesota

Robert McCarter, St. Louis


Moderators

Essy Baniassad, Hong Kong

Robert Ivy, Washigton, D.C.

Christine Macy, Nova Scotia


we'll be anxiously awaiting any coverage of the events--this blogger has decided to decline in order to take exams for that magical piece of paper called an Architect's license.

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Tuesday, February 22, 2011

lecture at CU Denver


Craig Curtis, principal architect from the Miller/Hull Partnership will be speaking about his firm's Public Works next Monday evening [6.00 PM Feb. 28th] at the MBA Suite at CU Denver Architecture building.




As an admirer of their work for some time now, this is a much anticipated presentation especially after our visit to the pacific northwest a couple years ago.


Conibear Shellhouse at the University of Washington


See you there.

[props to the schuster for the heads up]

Monday, February 21, 2011

think being an architect is difficult?

bruce mau tells us to THINK AGAIN:

"...Is it really difficult being an architect in America? It’s difficult to be a female intellectual in Kandahar. It’s difficult to raise a family living on waste products in the garbage dumps of China. It’s difficult to find your way as a child in Malawi, where the infection rate of HIV/AIDS is 17 percent, having already wiped out a generation of mothers and fathers. It’s difficult to overcome drug addiction from the quicksand of poverty and incarceration in America’s overpopulated prisons. These conditions are difficult. Being an architect is not difficult.

So, really, are we going to listen to another gripe about how difficult it is to be an architect today? No, we are not. If you are a student at Harvard, or a practicing architect, you are the privileged 1 percent. That’s right—1 percent. I’m not talking about 1 percent of college graduates, but 1 percent of humanity. Less than 1 percent of the world has experienced the power of higher education..."

definitely a re-loaded perspective...

click HERE for the full article.

Friday, January 21, 2011

the 10 commandments of architecture...

...according to Jim Childress, FAIA:


1. Thou Shalt Not Compartmentalize: In addition to learning to design, thou should write well, spell correctly, figure out how to get jobs and keep clients happy, take out the trash, make a good cup of Joe, be able to build models, master sustainability as well as the latest technological tools. Do all this and more, EXCEPT ... hire a really good professional to photograph your work. It will pay off in awards and in landing new jobs.


2. Don’t Be Disappointed When a Client Rejects Your Design: It only means another opportunity to design. In architecture there are many solutions to the same question and designing is what you do.


3. Always Exceed Your Client’s Expectations: The corollary is: Establish attainable expectations.


4. Cost Counts: No matter what clients may say, or how deep their pockets, cost is foremost in the minds of all clients great and small. Make sure there is a clear, written understanding of the expected project cost and have a plan in case the budget gets out of whack.


5. Problems are Opportunities: Show them how good you are in a pinch.


6. Bad News Travels Fast: An unhappy client is your worst nightmare. The corollary is: Satisfied clients become good friends and good references.


7. Art First, Mammon Second: Make every project an artistic success, and you will thrive. If your first priority is making money, you will go broke.


8. Go Forth and Collaborate: Architecture is a team sport. Surround yourself with talented and enjoyable people, in the office and outside. Share the credit with colleagues and consultants. Run an open office. The fewer doors the better; and just one coffee pot where the designing herd can gather and ruminate.


9. Listen: Believe it or not, people besides you have good ideas and insights. This applies to clients, staff, builders, consultants, building users, even your spouse. In the end it will be your client’s building, not yours. If you want to be a star, move to Hollywood.


10. Do Right, Have Fun: Clients are spending a lot of money; they expect something special. There also should be some fun in the mix, for your client and for you as well.


If there were an 11th Commandment, it would be: Have a sense of humor.



I imagine that this list is infinitely variable as there are as many architects. what are your own 10?


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Thursday, January 13, 2011

it's for the better...

...some semi-inspiring notes for the start of 2011:

remember-architecture is first and foremost about place & space...the objectification of architecture will come [ca.1990] and go [RIP Oct. 2008], but it is always about shaping the emptiness, defining the void, and making the invisible tangible. -taow, jan. 2011

...and a cautionary tale about a path already travelled:

an excerpt from Witold Rybczynski's recent article regarding the young architect's [and client's] need for adapting to the new economic climate [Slate.com]:

"What will happen to the anti-rationalists in this new, responsible world? It's not easy for an architect to change his spots—just look at the diminished fortunes of Paul Rudolph in the 1970s, or Skidmore, Owings & Merrill in the 1980s. The big names will coast on their reputations, finding commissions in increasingly obscure corners of the world. Turkmenistan, anyone? The losers will be the current generation of young graduates. Trained in the arcane arts of parametric design and generative architecture, they will find themselves facing a world of chastened clients who demand discipline, restraint, and common sense. Big chill, indeed.


Monday, December 06, 2010

tower in a field

The text of this project is all in Czech, which we are unfortunately not fluent in [yet], but the images say plenty by themselves. What we can gather, it is a "Tower on a Hill" located in a field near the town of Židlochovice, Czech Republic and designed by architect Pavel Jura.Constructed entirely of Acacia lumber and galvanized steel, it seeks no other function other than revel in the surrounding landscape, and as much of that landscape as the eye can possibly see. A crude English description is part of the images captured below, so please excuse the shortcomings of the translation.

"The tower is proposed on a regular plan of thirty acacia wood columns. The circular ground plan corresponds to the topography of the site with an equivalent view in full 360 ° circular profile also provides rigidity to the horizontal wind load."

"Each of the acacia poles is composed of several planks, whose number reduces as the column height decreases. Thinning of the structure corresponds to the reduction of tension in the material, loaded from the most massive pedestal to the crown of the tower - the subtle elements of the balustrade without load. Thinning of the structure follows the winding up of the internal spiral staircase, while climbing the tower with views gradually opening up - from nearly closed base, to open top level."

"The internal staircase procedure confirmed the building's presence - each step is made of planks from a console supporting pole. Dimensional spiral interlocking brackets which strengthen the structure, and defines the internal space above the illuminated free kernel. Spatial stiffness is gathered from the circular cross section (as well as barrels in the cellar at the bottom of the hill), as well as steel hoops, complete with wooden braces between the columns."






"The aim was not looking for a new, or necessarily any other similarly modern architecture - the advertising slogan "Please come - see what you've already seen" remains with variety-show entertainers. It was neither to exhume historical or any other referenced architectural forms - from the final of the building one cannot expect more than the picture of the principles used in the construction."

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Thursday, November 11, 2010

engineering without engines

“Engineering without engines. We should use contemporary technology and computation capacity to make our buildings independent of machinery. Building services today are essentially mechanical compensations for the fact that buildings are bad for what they are designed for – human life. Therefore we pump air around, illuminate dark spaces with electric lights, and heat and cool the spaces in order to make them livable. The result is boring boxes with big energy bills. If we moved the qualities out of the machine room and back into architecture’s inherent attributes, we’d make more interesting buildings and more sustainable cities.” -- Bjarke Ingels, BIG
[props to the schuster for finding these words of insight]

Friday, October 01, 2010

quote for 2010.Oct.01

This is a time in which belief is often overwhelmed by exponential change. Even in the most serious architectural circles, intellectual games and superficial dogma can take the place of affirmation, and the mediocrity and deadness of much of our environment continue to spread.

Yet, in all of our surroundings there is great richness and power. Belief in the sensuality of place, the emotive qualities of materials, and the ability to give pleasure and insight, to comfort, and to transport, can produce humane and spirited architecture. It is our belief that exceptional architecture comes from the search for solutions which respond to the particular circumstances inherent in each situation.

Increasingly, we have come to see that, in a sense, circumstances are infinite and that working within any one set of habits is too limiting. We must be alive to the subtleties of place, whether manmade or natural; to the varied nature of humans and their particular activities; to the qualities of their institutions; and to the nature of the means with which we build. With both intellect and intuition, we seek solutions that respond to the web of circumstances at hand.

Over the years the interplay of architects within our practice and our responses to more complex and demanding programs and varied environments have broadened our view of the circumstances that affect our work. We are peeling away the layers of our habits and preconceptions. We require open-mindedness, willingness, gentleness - a soft, yet no-holds-barred approach.
-- BCJ website