
ionpopusi from romania.
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image from nytWhen the last living thing
has died on account of us,
how poetical it would be
if Earth could say,
in a voice floating up
perhaps from the floor
of the Grand Canyon,
“It is done.”
People did not like it here.


"These timescales might seem extraordinarily ambitious. They are, by contrast to the current glacial pace of change. But when the US entered the second world war, it turned the economy around on a sixpence. Carmakers began producing aircraft and missiles within a year, and amphibious vehicles in 90 days, from a standing start. And that was 65 years ago..."
"Climate change is not just a moral question: it is the moral question of the 21st century. There is one position even more morally culpable than denial. That is to accept that it’s happening and that its results will be catastrophic; but to fail to take the measures needed to prevent it."-monbiot
1) You—designers—should get out of your darkened rooms with their big, flashy images and figure out how to talk about design in the sunlight. In fact, just try talking about design once in a while without showing anything.
PowerPoint presentations have killed thinking in the late 20th Century. We’re living in new times now. Stop using PowerPoint for everything. Give others credit for being able to follow your argument without the aid of bullet points for every factoid you flash.
2) This shift of world-views is a complex and serious business. It needs all kinds of expertise and it needs every one of you, and more. Many of you are already involved in education. Turn your involvement into something significant, relevant, and timely.
3) If you teach at a university where there’s a teachers’ college, infiltrate that teachers’ college with your design ideas by making friends with the professors there. While it’s great that some designers do wonderful programs with public schools, these efforts are few and far between. We have an urgency here.
It would be more productive to educate the educators.
4) Become citizen designers. When architect Beverly Willis and I launched our civic group, R.Dot, in those heartbreaking days after 9/11, we didn’t know we could attract politically savvy designers who’d want to attend regular meetings and work very hard pro bono. As it turns out a graphic designer, Roland Gebhardt; an industrial designer, Brent Oppenheimer; and an architect, Ron Schiffman, became the guiding lights behind several of our detailed and comprehensive position papers on managed streets, culture zones, and housing.
The citizen designer is on the ascendant, especially post 9/11.
5) Find collaborators in whatever area of expertise your project requires. Become a design detective, a forensic designer: the path has been cut for you by others, make it wider.
"...it would cost much less to prevent runaway climate change than to seek to live with it...I hope it doesn’t mean that the debate will now concentrate on money. The principal costs of climate change will be measured in lives, not pounds."

Studio 804 is a 501(c)3, not-for-profit, design/build program at the University of Kansas School of Architecture and Urban Design focused on the creation of community based architecture.


...constructed by local farmers in honour of their patron saint, the 15th-century hermit Bruder Klaus. The chapel is made using a technique coined by Zumthor as “rammed concrete”.
The farmers made up the outer walls by pouring 50cm of concrete every day to create 24 layers, varying in texture and colour. Inside, the prayer space is formed from local tree trunks, creating a teepee-shaped structure that were slowly burnt out. This created a concrete space impressed with the markings of trees. The floor is poured lead.
“If you’re going to write about me you need to know something,” says PeterZumthor sternly. “My reputation is completely wrong. Everything you think I am, I am not.”


Salmela Architect provides an in-depth look at one of America’s leading “critical regionalist” architects. Salmela’s buildings resolve a central question of our time: how to balance the various extreme positions that characterize contemporary architecture and culture. Salmela accomplishes this by juxtaposing opposites: modernist and traditional forms, open and cellular plans, large and small scales, familiar elements used in unfamiliar ways. His projects range from a small stand-alone sauna to commercial spaces visited by thousands of people, and his buildings, mostly located in the upper Midwest, have become nationally and internationally known.

Fernando Romero was born in Mexico City in 1971 and graduated in 1995 at Universidad Iberoamericana. He was president of the student society in 1994. Worked at OMA with Rem Koolhaas in Rotterdam, Holland from 1997-2000. In 1999 as project architect he designed the winning competition for the concert hall Casa du Musica in Porto, Portugal (recently inaugurated and considered one of the icons in the contemporary architecture). In 1999, Fernando started his independent professional practice with LCM and in 2005 founded LAR (Laboratory of Architecture) — an architectural firm established with the ambition of addressing contemporary society through a process of architectural translation.









photo of johnny greenwood [from radiohead.com]
photography by Ana Lorena Ochoa"Mexican legend recounted that every bridge being built the devil would ask for one soul, so that the bridge never falls. This film tells the story of the workers who are participating to the construction of a second deck to Mexico City's inner Periferico freeway. This second deck is about to transform the city, its landscape and the lives of its inhabitants. It is the story of those whose hands and sweat go into the making of this mammoth work of concrete, steel and asphalt. The workers' daily lives, their hopes, their dreams and their dignity for survival. Contrasts, emotions and small moments that shall culminate in the loss of a soul taken by the devil. A soul that will remain as a memory of the workers who built the second deck."



source: denver post"The proposal had to present an up-dated and accurate image that represented the actual spirit of the present times, but taking into consideration the usual economics of resources and the most suitable materials. It also had to signify the lowest physical investment possible. Furthermore, the project needed to include issues such as an ecological conscience, as well as respect for the landscape and the environment."




second mention
third mention
fourth mention
fifth mention
sixth mention
seventh mention
eighth mention
for january-march 2007, the agency has selected san isidro: loft buildings in lima, peru as the next private competition initiated by the real estate company arquia. the arquitectum site has an extensive brief about the competition and the city of lima on their flash site.

